abracanabra: (Default)
[personal profile] abracanabra
So, this is the rough draft for my query letter. Suggestions are absolutely 100% welcome! No previous knowledge of Vicesteed required.

Dear [Agent]:

Valinda only remembers life as a vicesteed, living in a theme park of depravity where her experiences are broadcast to a discerning audience. One of her scripted experiences goes wrong, leaving the other vicesteed severely injured. During the routine clinic visit afterwards, she overhears a plan to wipe out her memory--again. Using the augments she's been given to survive being a vicesteed, she breaks out and flees. She finds herself in an unfamiliar Victorian world where she must fight to find out who she was, who took away her memories, and what she really did in her role as a vicesteed.

Rosemary is a gently bred young lady with an unfeminine inclination to build clockwork automata and dangerous ties to an anti-homechulus rebel underground. Troubled by what she experienced during sensorium treatments for her unfeminine inclinations, she seems to be easy prey for a charismatic rebel leader who plans an explosion to weaken the monarchy.

Quincy is hired to investigate the sudden, mysterious illness and eventual death of the Prince Consort. The answer lies with these two very different women. To find it, he'll have to rise to investigate a conspiracy at the highest levels, and he'll have to sink deep into a dark underbelly where the poor are put in workhouses to fuel homechuli, the artificial intelligences that the society depends upon.

Vicesteed is a steampunk, locked-room murder mystery.

I have had short stories accepted at publications including Jim Baen's Universe, Art Times, Allegory, and Strange, Weird, and Wonderful Magazine. I also maintain Aswiebe's Market List, a resource for science fiction, fantasy, and horror writers.

Thank you for your time and consideration. I look forward to hearing from you.

Sincerely,

Abra Staffin-Wiebe
[contact info]

(no subject)

Date: 2010-06-15 07:09 pm (UTC)
From: (Anonymous)
I have some advice that is very 'meta' rather than a critique of the specifics. I know they say to start right off telling about your story, but from my experience in working with my agent, the first questions she wants to know is how to categorize what she's reading. You might be better off to start out with:

I'm seeing representation for my recently urban fantasy novel (complete at X words) about .



The art of the one line pitch--before you so much as name your character--has helped me sell several books on spec. It's more important than I ever realized before, and so I offer it for your consideration.

That's my two cents, and worth about what you paid for it :P

(no subject)

Date: 2010-06-17 02:33 am (UTC)
From: [identity profile] cloudscudding.livejournal.com
Ha--yeah, I'm working on my one-sentence pitch. It's even more painful.

I've heard conflicting advice as to whether one should start or close with that information. Le sigh.

(no subject)

Date: 2010-06-17 03:40 pm (UTC)
From: [identity profile] stephdray.livejournal.com
That was me btw. Sorry for the anon!

(no subject)

Date: 2010-06-17 03:42 pm (UTC)
From: [identity profile] cloudscudding.livejournal.com
Aha!

You were on the short list, but it's good to know for sure.

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Abra Staffin-Wiebe

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